Loving In The War Years: Lo Que Nunca Pasó Por Sus Labios

Loving In The War Years: Lo Que Nunca Pasó Por Sus Labios

Cherríe L. Moraga / Jan 21, 2020

Loving In The War Years Lo Que Nunca Pas Por Sus Labios Cherrie Moraga s deeply personal collage of prose poetry and essays explore the political and personal meaning of being a Chicana and a lesbian in the United States women hispanic

  • Title: Loving In The War Years: Lo Que Nunca Pasó Por Sus Labios
  • Author: Cherríe L. Moraga
  • ISBN: 9780896081956
  • Page: 353
  • Format: Paperback
  • Cherrie Moraga s deeply personal collage of prose, poetry and essays explore the political and personal meaning of being a Chicana and a lesbian in the United States women hispanic

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    About "Cherríe L. Moraga"

      • Cherríe L. Moraga

        Cherr e Lawrence Moraga born September 25, 1952 is a Chicana writer, feminist activist, poet, essayist, and playwright She is part of the faculty at Stanford University in the Department of Drama and Comparative Studies in Race and Ethnicity Her works explore the ways in which gender, sexuality and race intersect in the lives of women of color.Moraga was one of the few writers to write and introduce the theory on Chicana lesbianism Her interests include the intersections of gender, sexuality, and race, particularly in cultural production by women of color There are not many women of color writing about issues that queer women of color face today therefore, her work is very notable and important to the new generations In the 1980s her works started to be published Since she is one of the first and few Chicana Lesbian writers of our time, she set the stage for younger generations of other minority writers and activists.Moraga has taught courses in dramatic arts and writing at various universities across the United States and is currently an artist in residence at Stanford University Her play, Watsonville Some Place Not Here, performed at the Brava Theatre Company of San Francisco in May, 1996, won the Kennedy Center for the Performing Arts Fund for New American Plays Award, from the Kennedy center for the Performing Arts Barbara Smith, Audre Lorde and Moraga started Kitchen Table Women of Color Press in 1983, a group which did not discriminate against homosexuality, class, or race it is the first publisher dedicated to the writing of women of color in the United States.Moraga is currently involved in a Theatre communications group and was the recipient of the NEA Theatre Playwriting Fellowship Award Her plays and publications have won and received national recognition including a TCG Theatre Residency Grant, a National Endowment for the art fellowship for play writing and two Fund for New American Plays Awards in 1993 She was awarded the United States artist Rockefeller Fellowship for literature in 2007.In 2008 she won a Creative Work Fund Award The following year, in 2009 she received a Gerbode Hewlett foundation grant for play writing from


    1. Don't really know how to write a review. Forgive me if I do this wrong.All I can really say, as an American Asian-Chicana Latina who has questioned everything in her lifeobably more than once, Cherrie Moraga validated me.

    2. A highly politicized and propagandistic novel that includes indifferent poetry. The quasi-surrealistic story line posits that life for a Mexican-American lesbian amounts to life during a war; a proposition that anyone who has ever been in a war will find highly questionable. Granted that she uses the word war metaphorically, it still seems a grandiosely self-inflated description of her conflict with a homophobic mother (and culture). The use of postmodern literary techniques is gimmicky, the cha [...]

    3. This book made me want to write about my personal experiences with regards to feminism, sexism and racism. It is inspirational but also challenging in the sense that I don't know if I could ever understand Moraga's perspective. Her values and ideas are clearly expressed but they are still difficult to grasp. Too often I felt like the world was split between oppressor and oppressed. What happens to those who are both? She exposes the elitism and cultural solipsism of literary critics, but does no [...]

    4. Lots of bad poetry; some really good poetry; lots of really interesting personal points, gender theory, and chicana theory, that are made far better -- and far more clearly -- than Anzaldua's Borderlands; and a few stories that seem like ramblings. This collection of ideas is certainly not "just okay", but I wouldn't call it great, either.

    5. so im still reading this and it is really intense and slightly frustrating because some of it is written in spanish and i dont know spanish but its a beautiful book with lots of really valuable and thoughtful and thought provoking (the best kind) of ideas and insights.

    6. I really wanted to love this book. I didn't hate it, but I didn't really like it either. She's smart and what she says make sense. It was just hard to get through. This was something I read for school and I'm stubborn and wanted to finish this book to meet my good reads goal.

    7. Chicana, lesbian, woman, American, feminist, mixed race, Mexican. Cherríe Moraga writes on all of these identities in this collection of poems and essays that tell her life story (thematically, not chronologically). This collection is really hit and miss for me. I enjoy and get a lot out of some of her essays and I love how fluidly she moves between English and Spanish. She doesn't care to be understood, just to tell her story (in regard to language and content). I really like that approach in [...]

    8. Cherrie was the first leftist Latina writer that I read, understood, and could grapple with. Grateful for that. We need more writers like her.Her lyrical poetry still sits on my tongue, appearing my language daily.

    9. In this volume Moraga delves into personal experience, exploring her family's history, strengths and sadnesses in poetry and prose and in Spanish and English. Moraga writes about forging her identity from disparate pieces: she's a Chicana lesbian whose looks allowed her to pass for white and who is learning to speak Spanish later in life. Maybe I've been in the ivory tower for too long, but I liked her 'academic' essays, like 'La Güera' and 'Lo que nunca pasó por sus labios', more than her poe [...]

    10. Moraga's "Loving in the War Years" is frequently a beautiful and moving experience-her writing is precise and engaging, her message is lucid, and you'll find yourself often wanting to highlight and re-read a passage.But. Keep in mind that much of her feminism is now considered outdated--and in spite of this, her essays are still far more powerful than her poems. It was fascinating to see the ways in which her political/theoretical thinking was influencing her creative writing--she often pairs th [...]

    11. Just a note to say that the edition I read contained about 150 pages, while another widely reviewed edition of this work - with the same title - contains 264 pages. I don't know if the additional material would have made this a more satisfying reading experience, but the edition I read presented Moraga's work in a disjointed, fragmentary manner. Also, I have to say that I was largely indifferent to Moraga's poetry, which comprises more than half of the edition I read. Many of her poems are "poli [...]

    12. I loved Moraga's depiction of her mother and the death grip with which she held onto her. I relate to that fear of losing a mother very very much. When someone is so much a part of your heart and their face part of your comfort well. I get that learning of age and death as we come to terms with losing a mother. Aside from all that, such interesting feminist work. Poetry was beautiful, swept me along and the essays were insightful.

    13. I wouldn't have re-read this if my co-teacher hadn't suggested we assign it in our experimental Queer Writing class, but you know what? It really holds up. And reading it on the heels of a bunch of New Narrative stuff made me think about how queer writers of color like Moraga have been fucking shit up for a LONG time--narrative, genre, gender etc etc--and not getting the cool points for it. What's that about?

    14. I tried so hard to like this book and some parts and poems are awesome. The one which the title comes from is my favorite. BUT it's just so hard to get through. It's not difficult, but kind of uninteresting. The style of writing, I am not sure what, just didn't keep my attention. I had to force myself to read this book, and being a lesbian Latina I felt I should.

    15. NationlessI take you in my armsin the ordinary bed of a california valley roadside motelunwind the crimsoncotton wrapped 'round your hips and I enter you as deep and as hard as we want because you were there too dying in the midday sun singing to the same god and we want to touch it somehow because our bodies are remembering we want to gather all the touch we canbefore we go back!

    16. While I get the general point the author is trying to make, and I admire her courage and ability to express her sexual discovery and her struggles to identify, accept, and defend her identity as a chicana lesbian feminist, my initial impression of this writing is that it is a giant rant against all whites, all heterosexuals, and all men.

    17. Incredible ideas and theory. I struggled to really "get" the book, but really enjoyed certain elements, and much of the poetry as poetry alone. Moraga has already been crowned as feminist royalty after reading This Bridge Called My Back, and I was happy to be reading some of her other work.

    18. This book is filled with highlighting and notes that I wrote to myself. It really hits hard. Moraga doesn't hold back. She writes intellectually but also emotionally. I feel that this is something unusual, this strong combination of the mind and heart.

    19. Yikes! I finished this book back in January but forgot to write a review back then. Let's see… I enjoyed the essay portions, particularly the final essay on identity. I love Cherrie so pretty much anything she writes, I'm going to love.

    20. A mix of short stories and prose, spanish and english, gay and chicana. The text was an interesting exploration of the author's identity, but it was not everything I'd hoped for.

    21. A really awesome mix of poetry, autobiography, and feminist theory by Cherrie Moraga (who writes about the intersctiong of her chicana, feminist, queer, etc identities).

    22. This book is life-changing. Beautiful and thought-provoking. Part memoir, part poetry, part Xicana feminist theory. "A Long Line of Vendidas" is especially thought-provoking and wonderful. Read it.

    23. Demere Woolway read a selection from this book during the 2011 Women's Read-In. King Library (2nd floor) | PS3563.O753 L6 2000

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