The Inner Game of Music

The Inner Game of Music

Barry Green W. Timothy Gallwey / Sep 15, 2019

The Inner Game of Music By the best selling co author of Inner Tennis here s a book designed to help musicians overcome obstacles help improve concentration and reduce nervousness allowing them to reach new levels of perform

  • Title: The Inner Game of Music
  • Author: Barry Green W. Timothy Gallwey
  • ISBN: 9780385231268
  • Page: 257
  • Format: Paperback
  • By the best selling co author of Inner Tennis here s a book designed to help musicians overcome obstacles help improve concentration and reduce nervousness allowing them to reach new levels of performing excellence and musical artistry

    HOME The Inner Game The inner game takes place within the mind of the player and is played against such obstacles as fear, self doubt, lapses in focus, and limiting concepts or assumptions.The Inner Game is a proven method to overcome the self imposed obstacles that prevent an individual or team from accessing their full potential. GROW and the Inner Game GROW model Other applications of the Inner Game While the Inner Game was developed in sport, the coaches using it realised they could apply the principles in other learning situations GROW was developed to provide a structured framework to use the principles of the Inner Game to achieve Goals The originators saw that, just as in sport, The Inner Game Coaching Journey The Inner Game The concept of coaching originated from the sports world, but for some reasons we have football coaches and ski instructors Actually for the most part, both are instructors It s the same for sports such as tennis and golf No wonder it s a widely held perception that coaches are those that shout instructions to their players, Inner Game Video Gallery The Inner Game More Info Tim Gallwey lives in Thousand Oaks CA, and when he isn t touring the globe on speaking engagements, he s facilitating workshops and The School in LA, and working on ways to make the applications of the Inner Game accessible internationally to corporations and various conventions on coaching, learning, and peak performance and most importantly continuing to learn and The Inner Game of Tennis W Timothy Gallwey Jonathan Cape The outer game is played against an external opponent to overcome external obstacles and to reach an external goal Mas taring this game is the subject of many books offering instructions on how to swing a racket, club or bat, and how to position arms, legs or torso to achieve the best results. The Inner Game Of Everything Why Is A Four Decade Old The Inner Game was published in an era when sports psychology was a phrase few had ever heard Its release was a relative sensation, and years later, now one book among many in the ever expanding self help section, it continues to sell thousands of copies each year. Ways To Improve Inner Game To Change your Destiny What is inner game of productivity When gurus talk about inner game they often refer to The inner game that takes place within the mind of the player and is played against such obstacles as fear, self doubt, lapses in focus, and limiting concepts or assumptions. The Inner Game of Tennis The Classic Guide to the Mental The Inner Game of Tennis is a revolutionary program for overcoming the self doubt, nervousness, and lapses of concentration that can keep a player from winning Now available in a revised paperback edition, this classic bestseller can change the way the game of tennis is played. The Inner Game of Tennis Philosophy for Life The Inner Game of Tennis You can get Self out of the way by training your attention on each point, for example, or on the sound of the ball giving your Self some activity to keep it The Inner Game of Tennis The Classic Guide to the Mental Jan , The Inner Game of Tennis is a revolutionary program for overcoming the self doubt, nervousness, and lapses of concentration that can keep a player from winning Now available in a revised paperback edition, this classic bestseller can change the way the game of tennis is played.

    • Best Download [Barry Green W. Timothy Gallwey] Å The Inner Game of Music || [Comics Book] PDF å
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      Published :2018-09-03T10:54:38+00:00

    About "Barry Green W. Timothy Gallwey"

      • Barry Green W. Timothy Gallwey

        Barry Green W. Timothy Gallwey Is a well-known author, some of his books are a fascination for readers like in the The Inner Game of Music book, this is one of the most wanted Barry Green W. Timothy Gallwey author readers around the world.


    1. Great book. Every musician, every music student, and specifically every music teacher, should not only read it, but own it for future references.There are so many great tips and ideas, and ways to both play music and teach it that get better long term results. Some of which I have already implanted in my own playing and teaching, some of which I am simply waiting for the opportunity to do so.That being said, there are also several sections that seem like a bit of overkill to me. We must remember [...]

    2. It's a bit tricky to rate this book. It appears that it has some very sound advice for musicians, but since I'm not a real musician, I cannot tell whether this is true or not. Anyhow.I learned about the Inner Game from a friend of mine and I've been wanting to read more about it for a while. I was not that interested in The Inner Game of Tenis, since I don't play tenis. I'm trying to pick up music lately and it seemed like a great way to get introduced to those ideas.The gist of it is creating a [...]

    3. The book provides a comprehensive analysis on what helps / hinders our musical growth. As a musician early on in the development, I find some advices extremely valuable. The concept of "self 1 and self 2" lays the foundation for most discussions: every musician involves two “self” in terms of performance - Self 1 is logical, judgmental, and self-conscious, Self 2 is spontaneous, natural. We should apply techniques to be aware about self 2. Our goal is to let self 2 express the most, and refr [...]

    4. I actually did not even finish this book. I was recommended to it by my piano teacher, hoping that it would help me with some of my performance anxiety. However, I found it completely unhelpful. I found myself falling to sleep while reading it when it wasn't even bedtime. To keep it short and sweet, I found the analogies and connections from sports to music a little far fetched, and it didn't keep me interested. There was too many mathematical equations as to how this plus that would equal doodl [...]

    5. My vocal teacher recommended this to me. I thought it was alright. The techniques and tips the book covers are things that may marginally improve your abilities. But it in no way can substitute a real teacher.A common theme in the book is to: try this, now try that, and notice if it feels and sounds different. For example, the author would suggest try playing a passage as loud as you comfortably can, then as soft as you comfortably can, and suggest you to try and find a middle level in between. [...]

    6. This was accidentally given to me by my viola instructor after being recommended as a way to improve my performing skills. However, while many of the concepts the book gives are excellent, I found the writing patronising and long-winded. While it is sometimes useful to have the 'Inner Game' techniques spelled out in musical concepts, I have found that 'the Inner Game of Tennis', which I am currently reading, is generally more useful in spelling out concepts. Many of the exercises in 'the Inner G [...]

    7. This was a re read from my college days in piano performance degrees. It was such a great reprise to see how I have grown as a musician over the years. It explains the idea that a person has two sides to their personality self 1. The self conscious doubting side and self 2. The letting it go, emotion filled side. He gives 4 different ways to work on awareness, several ideas that discuss will power and trust in your playing. It discusses working on your individual instrument, working in ensembles [...]

    8. This is an astounding work related to breaking down the walls that prevent us from executing a relaxed and enjoyable performance. I recommend this for all musicians, but is applicable to nearly any type of performance.

    9. Self 2 freedom from self 1 disciplineI really enjoyed this book and its discussion of self 1, with all of its doubts and fears, and self 2, the uninhibited part of us that we need to allow to take over in difficult situations. Intuition is key, and we can enjoy and create much more fluidly if we allow ourselves to follow those deeper feelings without letting logic destroy the moment. Nevertheless, I felt the book was mostly appropriate for professional musicians, and not so much amateurs or begi [...]

    10. As a music teacher I dived into this book with enthusiasm. There are some useful exercises and tips for overcoming nervousness as a performer, directing your focus and using practice time more effectively. I learned quite a bit but ultimately felt a bit let down; or perhaps it is just that there is no real alternative to just getting on and doing lots and lots of practising!

    11. Extremely valuable for novice musicians.Be prepared to act on the exercises. If not, you're wasting your time.

    12. The Inner Game of Music by Barry Green is a book any musician, young or old, should read. There are many helpful tools that it provides. Whenever a tool is discussed, there is an excercise for the reader to try. Thus, rather than just reading the book you can put the tools to practice and remember them easier.I appreciated these excercises. There were simple to understand and made a big difference in my music playing. The book describes a self 1- the voice in your head that is always criticizing [...]

    13. While I know that the inner game works, I had an issue with this book - all of the examples of problems were too easily solved. As a music teacher, I know that solutions aren't always easy - even inner game solutions. Sometimes it takes more than noticing and awareness to solve a problem. I wish the book explored that - and dealing with ongoing frustration - that would have been helpful.As for the end when he mentions that he forgot black socks for a gig - and solved that particular problem by s [...]

    14. A book full of pointers for musicians or music hobbyist which address the non-technical challenges in learning, playing and performing music. Some of the techniques can be applied to any other aspects of life. Or to put it from another angle, if you manage to train the inner game of music, it will make your music playing the training for your inner game of life. Recently inspired to do speed reading when listening to this podcast (bit/16Da5uv). This book fits perfectly to the method described. A [...]

    15. The Inner Game is a sort of teaching system originally popularized in a book on Tennis. Barry Green was so impressed with the idea he'd read in this Tennis Book that he asked if he could write an application of the "system" for music. After several years testing the system and adjusting it for musical practice, the result is this book, which is rather highly acclaimed.The "system" takes ages old concepts of awareness; think making your practice sessions more like mindfulness meditation. It's an [...]

    16. A bit old-fashioned in examples, choice of examples and amount of text, this book describes the power of the mind in playing music or listening to music if the self criticism (self 1) is moved aside and he creative self (self 2) is fostered. It is about natural learning outside of sports. Similarities between music and sports are playing, self expression, requires a balance between spontaneity and well considered set up, between technique and inspiration, is often before an audience, with the te [...]

    17. Left over book at my house. The title is a bit deceiving or confusing. It's really about trying not to over think it when you're making music. The inner child is the best musician. Lots of great tips on how to get over it. If you're having this issue, then a decent read. If you're teaching others there might be some helpful hints in here. Overall, it is neither good nor bad. Better if you are a true amateur musician, but if you've a bit more experience, this is likely only going to reinforce rat [...]

    18. I read this in college when I was preparing for my senior recital. It is supposedly the same concept as The Inner Game of Tennis geared for musicians. It taught me some great tools to improve my performances - things that I will remember all my life. If you're not a musician I wouldn't recommend it. :)

    19. Very helpful. I read it to try and gain some control over anxiety while playing, and found a lot of tips that worked well for me. I found the section about self 1 and self 2 particularly reassuring, and breathed a sigh of relief to find I wasn't actually going crazy while I practice. I've gone on to recommend it to most of my friends who also play musical instruments. Definitely worth reading, even if the advice does not seem useful personally.

    20. This is one of my favourite music books. thought me so much about learning and enjoying my music as well as giving me the confidence to play in front of people . the awareness exercises improved my tone and helped me practice despite being very short on time. this is a book I have time and again dipped into in order to sort various musical problems.Read this book it helps you learn and perform and truly enjoy music

    21. I read this book a few years ago to help me with performance anxieties. Although I found that some of the techniques helped me develop my skills on stage, the book wasn't particularly interesting to read. Many of the chapters often dragged or lacked relevance to music performance.After reading some of the other reviews on I'm glad that other people have managed to get something out of this book, it just didn't do much for myself.

    22. An excellent read about taping into the creative subconscious and creating an environment where it can thrive. Often, we become our own worst enemies by trying too hard and inadvertently blocking the creative flow. The book provides a recipe of focusing on our awareness of what is happening and trusting in our own creative process to take us where we want to go.This is a book that I will read and re-read time and again as I suspect new insights will float to the surface each time.

    23. This book contains a lot of interesting pointers for overcoming performance anxiety as an instrumental musician. The method, while written specifically for musicians, could be applied to other areas of performance and probably to public speaking as well. It reads like one of those over-the-top self-help books they sell in the magazine aisle of the grocery store, but in spite of this, I found it to be useful in terms of providing a different perspective on how to approach public performance.

    24. The useful devices in this book are its repetition of main point, and its brevity. It continually repeats the elements of the "inner game" throughout the book and thus drives them home. In other works, this would be tedious, but it is highly desirable in a work that is trying to change mind habits. The book is also very brief, so it can read quickly. I found it quite helpful, since I have a huge piano exam coming up in April.

    25. Well actually DNF. I tried to keep reading, just was not good and didn't really hold my interest.Referred to "The Inner Game of Tennis" so much I figured I should just read that book instead. Picked up that book instead and, yup, much better."The Inner Game of Tennis" is much better and you can pretty much make your own connections from tennis to music.

    26. I read this book while in my middle twenties. I came away from the book a whole new man/musician; I begun hearing music with a new ear. As a musician of 36+ years, I highly recommend this book. It is good not only for the mind and intellect, but will help the one who diligently applies its principles to a higher musical experience.

    27. This book's central premise makes a lot of sense to me: that flawed or negative thinking can cripple your natural talent. Learning to let go of conscious thought and engage fully with the music will release this talent, and Green has many wonderful ideas on how to get your inner critic to shut up so you can get down to business.

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