The Art of Describing: Dutch Art in the Seventeenth Century

The Art of Describing: Dutch Art in the Seventeenth Century

Svetlana Alpers / Jun 19, 2019

The Art of Describing Dutch Art in the Seventeenth Century The art historian after Erwin Panofsky and Ernst Gombrich is not only participating in an activity of great intellectual excitement he is raising and exploring issues which lie very much at the centre

  • Title: The Art of Describing: Dutch Art in the Seventeenth Century
  • Author: Svetlana Alpers
  • ISBN: 9780226015132
  • Page: 207
  • Format: Paperback
  • The art historian after Erwin Panofsky and Ernst Gombrich is not only participating in an activity of great intellectual excitement he is raising and exploring issues which lie very much at the centre of psychology, of the sciences and of history itself Svetlana Alpers s study of 17th century Dutch painting is a splendid example of this excitement and of the centrality The art historian after Erwin Panofsky and Ernst Gombrich is not only participating in an activity of great intellectual excitement he is raising and exploring issues which lie very much at the centre of psychology, of the sciences and of history itself Svetlana Alpers s study of 17th century Dutch painting is a splendid example of this excitement and of the centrality of art history among current disciples Professor Alpers puts forward a vividly argued thesis There is, she says, a truly fundamental dichotomy between the art of the Italian Renaissance and that of the Dutch masters Italian art is the primary expression of a textual culture, this is to say of a culture which seeks emblematic, allegorical or philosophical meanings in a serious painting Alberti, Vasari and the many other theoreticians of the Italian Renaissance teach us to read a painting, and to read it in depth so as to elicit and construe its several levels of signification The world of Dutch art, by the contrast, arises from and enacts a truly visual culture It serves and energises a system of values in which meaning is not read but seen, in which new knowledge is visually recorded George Steiner, Sunday Times There is no doubt that thanks to Alpers s highly original book the study of the Dutch masters of the seventeenth century will be thoroughly reformed and rejuvenated She herself has the verve, the knowledge, and the sensitivity to make us see familiar sights in a new light E H Gombrich, New York Review of Books

    The Art Of Business Conferences, Training and Resources The Art Of provides business professionals with the skills and knowledge needed to succeed in today s marketplace Our national conferences, print magazine, digital content and, seminars combine insights from prominent business leaders, internationally renowned speakers and bestselling authors. The Art of Manliness Official Site Podcast How to Get Better at Making Life Changing Decisions Podcast Why Visiting Dark Places Is Good for the Soul Podcast A Man s Search for Meaning Inside the Ring Conferences The Art Of The Art Of provides business professionals with the skills and knowledge needed to succeed in today s marketplace Our national conferences, print magazine, digital content and, seminars combine insights from prominent business leaders, internationally renowned speakers and bestselling authors. The Art of War The Art of War is an ancient Chinese military treatise dating from the Late Spring and Autumn Period roughly th century BC The work, which is attributed to the ancient Chinese military strategist Sun Tzu Master Sun, also spelled Sunzi , is composed of chapters. The Art of Seduction Robert Greene The Art of Seduction is a very impressive book and you can expect the same quality you got with the laws of power, the same level and type of knowledge and ways to apply it Personally however, I did not enjoy this book as much as I have enjoyed the others, but your reaction could be very different. The art of storytelling Pixar in a Box Partner content Learn for free about math, art, computer programming, economics, physics, chemistry, biology, medicine, finance, history, and Khan Academy is a nonprofit with the mission of providing a free, world class education for anyone, anywhere. The Art of War by Sun Tzu The Art of War by Sun Tzu, the most important and most famous military treatise in Asia for the last two thousand years, with side by side translation and commentary, cross references, and PDF and text downloads of the full book. The Art of Electronics Paul Horowitz, Winfield Hill The Art of Electronics brilliantly conveys its authors enthusiasm and experience of practical engineering and is an inspiring read Many people have described the earlier editions as the best book on electronics, so this third edition had a lot to live up to fortunately, it does not disappoint. Abstract The Art of Design Netflix Official Site Abstract The Art of Design TV Season TV Shows Step inside the minds of the most innovative designers in a variety of disciplines and learn how design impacts every aspect of life. Art of the Title Official Site The very best in title design as chosen by Art of the Title s panel of experts Dec , Made in the Middle Learn the strangest secret in the world with the squashed and stretched titles to Made in the Middle Dec , Slice.

    • Free Read [Science Fiction Book] ☆ The Art of Describing: Dutch Art in the Seventeenth Century - by Svetlana Alpers ✓
      207 Svetlana Alpers
    • thumbnail Title: Free Read [Science Fiction Book] ☆ The Art of Describing: Dutch Art in the Seventeenth Century - by Svetlana Alpers ✓
      Posted by:Svetlana Alpers
      Published :2018-010-22T17:06:10+00:00

    About "Svetlana Alpers"

      • Svetlana Alpers

        Scholar of Dutch baroque art professor of History of Art, UC Berkeley,1962 1994 exponent of the new art history Born Sventlana Leontief, she graduated from Radcliffe College with a B.A in 1957 She married the following year, assuming her husband s surname of Alpers She continued graduate work in art history at Harvard University publishin an article on Vasari s verbal descriptions of art ekphraseis in 1960 in the Journal of the Warburg and Coutauld Institutes, which announced her innovative approach to art history Alpers accepted a teaching position as an associate professor at the University of California, Berkeley, in 1962 while working on her dissertation She graduated from Harvard in 1965, writing her thesis under Seymour Slive on the Peter Paul Rubens cycle Torre de la Parada Her work in Rubens archives brought her to the attention of Roger d Hulst, who suggested she turn her dissertation into a volume for the catalogue raisson on Rubens She rose to the rank of Professor at Berkeley In 1971 she was appointed to the Board of Directors of the College Art Associate remained until 1976 That same year here volume for the Rubens catalogue raisson , The Corpus Rubenianum Ludwig Burchard, number nine, was published In 1977 an important methodological article by Alpers appeared in Daedalus examining progressive scholarship in art history in contrast with earlier scholarship During the academic year 1979 80 she was a member at the Institute for Advanced Study in Princeton In 1983, Alpers co founded the progressive interdisciplinary journal Representations, publishing the article, Interpretation without Representation, or, The Viewing of Las Meninas, in the first issue That year, too, she published the first of her ground breaking works in art history, The Art of Describing Dutch Art in the Seventeenth Century The book s central thesis focused on the the immediacy and simplicity of Dutch painting and the Dutch preoccupation with the description of interiors and domestic scenes, contrasting it with narrative Italian painting Iconographical approaches to baroque art, she wrote, such as those practiced by Erwin Panofsky and others, were insufficient to understand Dutch imagery Her book likewise criticized mainstream Dutch scholarship and its reliance on emblems and emblemata books explain Netherlandish still life paining The Art of Describing was well received, reviewers hailing Alper s mastery of topics as diverse as optics and perspective theory Critics, however, accused her of selective use of evidence, drawing only from paintings and texts which supported her theories In 1988, during the era of shocking reattributions of many works of Rembrandt by the Rembrandt Research Project, Alpers published a monograph on the artist, Rembrandt s Enterprise The Studio and the Market The book examined Rembrandt s market strategies and his modeling his art to appeal to a Dutch consumer base Her use of economic theory and a concerted avoidance of visual criteria again upset traditionalists in the art world Alpers co wrote a book with fellow Berkeley art historian Michael Baxandall in 1994, Tiepolo and the Pictorial Intelligence She was named Professor Emerita from Berkeley in 1994 The following year she returned to the art of the low countries with her Making of Rubens The book looked at Rubens politics, his later critical reception in France, and theorized specific meaning in the recurring Silenus figures of his later work.Reaction to Alpers was summed up by Walter Liedtke In an article on American historians of Dutch art, he characterized her work as containing whole exclusions of art that did not fit her thesis such as the Utrecht school a typical exercise in American taste dressed up with some French motifs as a new analysis of Dutch Art However, her work Rembrandt s Enterprise was included among the 169 major writings of art history in the 2010 Hauptwerke der Kunstgeschicht


    774 Comments

    1. This book is in essence a treatise on how seventeenth century Dutch painting was a descriptive art. This was especially so when it was compared to the highly admired narrative art of the time - found in Italy - with its illustrations of human figures in history, myth, and Biblical stories. (My notes below are mostly direct quotes from the book.)“Dutch painting was not and could not be anything but the portrait of Holland, its external image, faithful, exact, complete, life-like, without any ad [...]



    2. This is an incredible book on Dutch art except that it is also about history, science, map-making, etc. I found the book interesting and challenging. Alpers is a thorough scholar but you don't feel like your being dragged through someone's dissertation and annotated bibliography along the way. I really appreciate the intersection of the arts and sciences here. This is part of my research for a novel I am writing on art and identity. This book has changed the way I look at Dutch art.


    3. Senza l’occhio umano l’universo e’ buio.Non riesco a vedere lontano se abito in una pianura e voglio scoprire e descrivere cosa vive al di la’, ma se abito tra le vette vivo nel limite del mio orizzonte e rimpiango solo se al di la’ di quelle vette degli dei scrivono libri che mai leggero’.L’arte italiana e’ narrativa, nel senso che da’ consistenza visiva a quel che si trova scritto nei libri, nella storia sacra e nelle leggende degli antichi. L’arte nordica, e quella olandes [...]


    4. dense but endlessly fascinating. enriched my enjoyment and understanding of my favorite paintings, excited to read more.


    5. I love Dutch genre painting and this classic on the subject had some really interesting ideas. However I felt there was rather an overwhelming focus on Vermeer, and I'm guessing this was a translation or not in her first language? Because a few sentences didn't really read quite right



    6. Ongelofelijk dat de hele hollandse kunstgeschiedenis-wereld in de jaren 80/90 hiervan van de leg raakte.Nogal taai, lees liever dbnl/tekst/_han0012003


    Leave a Reply