Critical Terms for Art History

Critical Terms for Art History

Robert S. Nelson Richard Shiff / Sep 17, 2019

Critical Terms for Art History Art has always been contested terrain whether the object in question is a medieval tapestry or Duchamp s Fountain But questions about the categories of art and art history acquired increased urgency

  • Title: Critical Terms for Art History
  • Author: Robert S. Nelson Richard Shiff
  • ISBN: 9780226571683
  • Page: 225
  • Format: Paperback
  • Art has always been contested terrain, whether the object in question is a medieval tapestry or Duchamp s Fountain But questions about the categories of art and art history acquired increased urgency during the 1970s, when new developments in critical theory and other intellectual projects dramatically transformed the discipline The first edition of Critical Terms Art has always been contested terrain, whether the object in question is a medieval tapestry or Duchamp s Fountain But questions about the categories of art and art history acquired increased urgency during the 1970s, when new developments in critical theory and other intellectual projects dramatically transformed the discipline The first edition of Critical Terms for Art History both mapped and contributed to those transformations, offering a spirited reassessment of the field s methods and terminology.Art history as a field has kept pace with debates over globalization and other social and political issues in recent years, making a second edition of this book not just timely, but crucial Like its predecessor, this new edition consists of essays that cover a wide variety of loaded terms in the history of art, from sign to meaning, ritual to commodity Each essay explains and comments on a single term, discussing the issues the term raises and putting the term into practice as an interpretive framework for a specific work of art For example, Richard Shiff discusses Originality in Vija Celmins s To Fix the Image in Memory, a work made of eleven pairs of stones, each consisting of one original stone and one painted bronze replica.In addition to the twenty two original essays, this edition includes nine new ones performance, style, memory monument, body, beauty, ugliness, identity, visual culture visual studies, and social history of art as well as new introductory material All help expand the book s scope while retaining its central goal of stimulating discussion of theoretical issues in art history and making that discussion accessible to both beginning students and senior scholars.Contributors Mark Antliff, Nina Athanassoglou Kallmyer, Stephen Bann, Homi K Bhabha, Suzanne Preston Blier, Michael Camille, David Carrier, Craig Clunas, Whitney Davis, Jas Elsner, Ivan Gaskell, Ann Gibson, Charles Harrison, James D Herbert, Amelia Jones, Wolfgang Kemp, Joseph Leo Koerner, Patricia Leighten, Paul Mattick Jr Richard Meyer, W J T Mitchell, Robert S Nelson, Margaret Olin, William Pietz, Alex Potts, Donald Preziosi, Lisbet Rausing, Richard Shiff, Terry Smith, Kristine Stiles, David Summers, Paul Wood, James E Young

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    637 Comments

    1. کتاب حاصل نوشته های جمعی از افراد صاحب نام در حوزه ی تاریخ هنر است. نویسندگان سعی دارند تا مفاهیمی را شرح دهند که به درک و تحلیل هنر و تاریخ هنر معاصر کمک کنددر این طرح مفاهیم نو اتفاقا بدیل های دیگری نیز برای تاریخ هنر آنگونه که تا کنون نوشته شده طرح میشود .مقالات بیش از این که ی [...]


    2. Although this is not a book I would have students read as a whole, chapters, as applicable, can be assigned readings that dig deeper into art terms and history. It is a good reference for how these terms have evolved, but I would only used this in a more advanced art class or as a reference for myself for my teachings.


    3. I didn't find all the articles equally informative and some seemed redundant. Some are, however, a really good, precise and short introduction to important terms that will always appear within the field of art history. Definitely worth a read for anyone studying art history.





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