What Happened to Art Criticism?

What Happened to Art Criticism?

James Elkins / Jun 16, 2019

What Happened to Art Criticism Art criticism was once passionate polemical and judgmental now critics are often interested in ambiguity neutrality and nuanced description And while art criticism is ubiquitous in newspapers mag

  • Title: What Happened to Art Criticism?
  • Author: James Elkins
  • ISBN: 9780972819633
  • Page: 429
  • Format: Paperback
  • Art criticism was once passionate, polemical, and judgmental now critics are often interested in ambiguity, neutrality, and nuanced description And while art criticism is ubiquitous in newspapers, magazines, and exhibition brochures, it is also virtually absent from academic writing How is it that even as criticism drifts away from academia, it becomes academiArt criticism was once passionate, polemical, and judgmental now critics are often interested in ambiguity, neutrality, and nuanced description And while art criticism is ubiquitous in newspapers, magazines, and exhibition brochures, it is also virtually absent from academic writing How is it that even as criticism drifts away from academia, it becomes academic How is it that sifting through a countless array of colorful periodicals and catalogs makes criticism seem to slip even further from our grasp In this pamphlet, James Elkins surveys the last fifty years of art criticism, proposing some interesting explanations for these startling changes In What Happened to Art Criticism , art historian James Elkins sounds the alarm about the perilous state of that craft, which he believes is In worldwide crisis dissolving into the background clutter of ephemeral cultural criticism even as and people are doing it It s dying, but it s everywhere massively produced, and massively ignored Those who pay attention to other sorts of criticism may recognize the problems Elkins describes Local judgments are preferred to wider ones, and recently judgments themselves have even come to seem inappropriate In their place critics proffer informal opinions or transitory thoughts, and they shy from strong commitments What he d like to see of ambitious judgment, reflection about judgment itself, and criticism important enough to count as history, and vice versa Amen to that Jennifer Howard, Washington Post Book World

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    About "James Elkins"

      • James Elkins

        James Elkins 1955 present is an art historian and art critic He is E.C Chadbourne Chair of art history, theory, and criticism at the School of the Art Institute of Chicago He also coordinates the Stone Summer Theory Institute, a short term school on contemporary art history based at the School of the Art Institute of Chicago.


    827 Comments

    1. A very small book that is extremely entertaining and informative.The bad thing that has happened to art criticism over the last 50 years, according to Elkins, is that it has stopped making judgments about art.I will reread this to reinforce its ideas in my brain. One of the valuable things Elkins does is explain his terms, so that we understand what he means by art criticism, art journalism, art reviews, art history, catalog essays, description. He explains when something that is putting itself [...]


    2. Excellent overview of the state of art criticism at the beginning of the 21st century.Not only is this book enlightening, the tone is light and often humorous, while still being thorough, making this a delightful read.


    3. جالب ولی ناقص. شرح و بسط ایده های مطرح شده سه برابر حجم این کتاب جا داشت، بخصوص اگر فقط به برنامه تحقیقاتی دانشگاه کلمبیا بسنده نمیکرد.


    4. «انجام عمل نقادانه ای که برآمده از دانش نظری و عملی، دارای رویکرد و چارچوب و در نهایت تاثیرگزار و راه گشا باشد، مستلزم تلاش و تفکر و آموختن بسیار است.» ص 11 این قسمتی از مقدمه ی مترجم بر کتاب است.دانشگاه کلمبیا برنامه ای تحقیقاتی درباره ی منتقدان هنری به اجرا گذشت که سه هدف مورد [...]


    5. What, indeed? What is Art, but another form of communication? Everybody's talking, but who's worth listening to?


    6. An analytical discourse on art criticism. The book is brief and interesting. The uses of and venues for art criticism, etc.




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