Search Sweet Country

Search Sweet Country

Kojo Laing / Dec 14, 2019

Search Sweet Country A brilliant first novel from Ghana portraying a crucial period in the nation s history a poet s story of Africa that has already provoked critical attention in Britain

  • Title: Search Sweet Country
  • Author: Kojo Laing
  • ISBN: 9780571129966
  • Page: 265
  • Format: Paperback
  • A brilliant first novel from Ghana portraying a crucial period in the nation s history a poet s story of Africa that has already provoked critical attention in Britain.

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      Posted by:Kojo Laing
      Published :2018-011-25T08:09:45+00:00

    About "Kojo Laing"

      • Kojo Laing

        Bernard Kojo Laing, originally published under the name B Kojo Laing, is a Ghanaian novelist and poet.


    1. Excellent stuff - very much worth checking out. If you are interested a quick google will bring up a number of good reviews from various newspapers etc that are worth reading if you are curiousMcsweeny's just brought out a nice looking hardback from what I can see, so this obviously is no longer as buried as it once was.

    2. Astonishing book! It's west African stream-of-consciousness. I've read it several times but have never finished it because it makes me have to put down the book and write, myself. I pick it up whenever I feel stuck, and it frees me. A wild, wild book.

    3. A novel set in 1975 Ghana. It's not entirely fair to call it a plotless novel, as there are several plot threads winding their way through the narrative, but the plot is really beside the point; the book is mainly a critical yet loving portrait of Ghana's capital city, Accra, and its people. There are venal politicians, intellectuals, religious people, small-time merchants and hustlers, officious policemen, even a witch who flies above the city and reads the hearts of its people. (Partly because [...]

    4. This strange and beautiful book, full of amazing imagery, is like nothing else I've ever read (except, of course, Major Gentl and the Achimota Wars, another novel by the same author with similar properties). There's no real plot, but there are several interwoven tales. The characters are memorable and differentiated, but the setting -- Accra in 1975 -- is the central figure of the book. The prose is overwhelmed by a kaleidoscopic series of metaphor, anthropomorphism, proslepsis, hyperbole, synec [...]

    5. I wanted so much to love this book. When I read the introduction and Binyavanga Wainaina says, "The finest novel written in English ever to come out of the African continent," I want to agree. But this book was much harder for me to get into than I thought. In fact, I had to start over and over again trying to read this book. It is not an easy read. But at the same time, I felt like I had to finish it. It took me a long time and a lot of concentration. When I got to the end, I realized it is bea [...]

    6. there's definitely poetry in this book's language (no surprise, given the author), and at times it can be a fascinating look at ghana in the mid 1970s. but the cast of characters is a bit scattered, and the narrative doesn't stick with any one of them for long enough to make you care. by the end you know who everyone is, but by that point it's too late. the author also has a tendency to get deep in the intellectual woods, and have his characters talk about their country in an unrealistic manner [...]

    7. This complicated, unique book came with my McSweeney's "book club" membership, and despite mostly hanging on through the end, there wasn't much of a connection. The writing almost feels like a fever-dream, or a dream-world, enveloping the reader in the spiritual/cultural/political world of Ghana to which of course I have no knowledge. So, it was a struggle. There are passages I love, and a character or two that piqued interest. This novel requires some knowledge of Ghana, it's cutlure and storie [...]

    8. Search Sweet Country (Heinemann, 1986; 352) is the first novel by the Ghanaian poet, Kojo Laing. It expanded what the author had already started started with his poetry, his unique use of words, his ability to make words turn, somersault, split and do some weird, but adorable, gymnastics. As is the foibles of poets, Laing's poetry seeped unrelentingly into his prose in a lovely kind of wayntinue here freduagyeman/2012

    9. A hat for the world to keep its cruelty under, a polite hatred, silence breeding a new architecture, a wall loving your knees, a love more than legs, marriage filling a room, losing little ironies, eating the future, houses taking on loneliness, she only saw the jaws still eating, flowers snarling and growing in war, something strange at the back of your eye, flesh turning into ghost turning into semiflesh, again and again.

    10. I really, really wanted to like this one more than I did. Some of the sentences were really beautifully written. I think Laing and I are looking for different things aesthetically. I'm not sorry I read it, but it was a struggle, and I can't realistically see myself going back to it.

    11. It's nonsense. It reminds me of Lowry's Under the Volcano. I think I need to be drunk to read it clearly. A quote from a review on the back cover says "dizzying prose" and I cannot agree with the underlying meaning in that chosen phrase. Sorry, McSweeney's, but now I doubt your choices. IMO

    12. I wanted to like this book, but so far I am finding it a very hard read. The prose is very constructed and rich, maybe it would be better as a mother tongue english speaker.

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